As the winter vacation is coming to an end, I am leaving three hectic months behind with a need for some rest. Busy schedule that started with the job hunting process and full of lots of paperwork and bureaucracy has ended on the most beautiful note with this paper coming into existence despite all the odds against it! The moment I saw my laptop showered with coffee at Starbucks today, I had a little bit of a heart attack. However, it is safely here! 🙂 It still has a way to go, and I need to improve it, but it will help me go through the upcoming conference 🙂
In “The Unfinished Cartography: Murakami Haruki and the Postmodern Cognitive Map,” Chiyoko Kawakami untangles the gap between Murakami and the postwar junbungaku not so much in view of Murakami’s reluctance to adopt a critical stance on the Japanese social scene. Alternately, she deciphers the long-debated polarity in respect of non-representational form of power being portrayed in Murakami’s works in contrast to “the discursive practice of social struggle” prevailing in postwar junbungaku: “Murakami depicts the problematic and incompletely conceptualized relationships between the individual and society in the radically changing social climates of postmodern Japan, where “authority” has ceased to present itself as a unified ideological entity” (310).
Following Kawakami’s viewpoint, I argue that Jean Baudrillard’s theory of consumerism allows for a thorough understanding of manifestation of non-representational power structure in The Wind Up Bird Chronicle. His theory is firmly engrained in his analysis of power as a non-representational entity regulating the relationship between the individual and society by way of dissemination and exhaustion of concepts such as family, leisure and so on. Baudrillard, in other words, scrutinizes a concept such as family, very often confined to the peripheries of home and/or private space, as a consumer object through which various values and standards are compromised in view of the changing political economy. Among the most renowned values and standards being conferred under the aegis of family one can indubitably find the notion of maternity.
Correspondingly, this paper examines the ways in which Murakami’s The Wind-Up Bird Chronicle witnesses the altering status of the maternity in view of economic destabilization during the lost decade of Japan in connection with Baudrillard’s theory of consumerism. By alluding to the altering status of the notion of maternity, I argue that the protagonist’s attempt to emancipate his wife from his brother-in-law Noboru Wataya’s fetters is symptomatic of his nonconformity to the hegemonic masculine identity and his individual struggle. Following the years marked by economic instability, the notion of maternity, putatively separated from the capitalist production, was denounced as a constituent of self-indulgence and consumer culture. The home (maternal domain), once associated both with consumption and frugality owing to household saving rates and purchase of recommended consumer durables, lost its paradigmatic status. By contrast, a discourse associated with respect for hard-working fathers and capitalist economic expansion gained popularity in the 1990s, as Tomiko Yoda explains in “The Rise and Fall of Maternal Society: Gender, Labor, and Capital in Contemporary Japan.” Continue reading